by Darcy Pattison , illustrated by Peter Willis ‧ RELEASE DATE: May 7, 2019
An illuminating introduction to Darwin and evolutionary development for young readers.
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Sometimes scientists take a long time to reach a conclusion—and the team of Pattison and Willis (Clang!, 2018, etc.) explores that idea in this look at a hypothesis about a moth and a flower.
In 1862, Charles Darwin received orchids in the mail (the variety is depicted in the beautiful mixed-media illustrations from Willis, who painted on newspaper to create textured images). When Darwin noticed that the star orchid’s nectary was unusually long, he envisioned the type of creature, a huge moth, that would have had to evolve to allow the flower to reproduce. In 1903, two entomologists found the hawk moth, which they believed to be the insect that Darwin imagined, with a lengthy, trunklike proboscis. But there was a problem: “No one had seen the hawk moth pollinate the star orchid.” It wasn’t until 1992 that entomologist Lutz Thilo Wasserthal was able to verify that the moth and flower depended on each other. Using plenty of science vocabulary made approachable through conversational text and Willis’ kid-friendly illustrations, Pattison captures the sense of wonder that comes from discovery, even if the proof arrives 130 years after the initial idea. The intriguing moment is well-told in this third installment of a picture book series, giving real insight into the scientific process and celebrating the determined researchers who strive to further human knowledge.
An illuminating introduction to Darwin and evolutionary development for young readers.Pub Date: May 7, 2019
ISBN: 978-1-62944-119-1
Page Count: 34
Publisher: Mims House
Review Posted Online: March 18, 2019
Kirkus Reviews Issue: April 15, 2019
Review Program: Kirkus Indie
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by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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