A largely amusing, if occasionally dark, series starter for cat lovers.
A feline star is born into a social media dynasty in Pattison’s kids’ chapter book.
Cats, using amazing translation technology, have taken control of KittyTube and can now share and monetize their own video content. In an homage to the golden age of Hollywood studios, Kittywood is run by five major kennels, which engineer lucrative sponsorship deals with cat-food brands. Angel, a white Persian kitten, must quickly learn to adapt to the ups and downs of internet stardom. The road to a viral breakout, however, isn’t an easy one. As the daughter of two KittyTube stars, she must master the tricky skills of posing, acting, and grooming, all while forging political alliances with rival felines—especially her nemesis, Jazz, a Siamese cat who’s consistently ranked Top Kitten week after week. In a Black Mirror–meets–LOLCats plot twist, Angel has to become Top Kitten in order to secure funds to help her estranged father, who’s stranded in France after his starring role in a film titled Puss and Boots fell through. Her mother, MamaGrace, is unable to work after a car accident left her partially blind and scarred—a possible nod to Cats’ Grizabella. Over the course of the book, cameras loom ominously over the kittens’ lives. Some video sequences can be downright sad, as when Angel looks into the camera and meows: “It was my most woebegone meow. It was a cry for my mama. It was a cry for someone to come and pick me up and pet me.” Mostly, however, Pattison’s characters delight, as when Angel compliments fellow kitten PittyPat, who adores water: “There’s an art to looking charming when your fur is all wet.” Ultimately, the underlying message is that one’s self-worth should never get tangled up in the number of views one gets. Standard’s bubbly, black-and-white pen-and-ink illustrations appear throughout, lending even more charm to an already whimsical story. Standard’s enthusiasm for animals is clear; one only wishes there were more of her drawings here.
A largely amusing, if occasionally dark, series starter for cat lovers.Pub Date: April 7, 2020
ISBN: 978-1-62944-142-9
Page Count: 122
Publisher: Mims House
Review Posted Online: Jan. 31, 2020
Kirkus Reviews Issue: April 1, 2020
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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