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NOTHING EVER HAPPENS ON MAIN STREET

A fun time-travel caper that has more of the quaint ambiance of a cozy mystery than an epic SF adventure.

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In Hatfield’s YA novel, a small-town newspaper publisher’s son learns the incredible secret of the town eccentric: He can reverse time, and thus avert tragedies.

Harding Springs, in 1910, embodies the classic small-town America of yesteryear that some people call “the good old days.” Very little danger and very few crises ever seem to strike the place, except for one strange train wreck—the significance of which becomes clear much later. Bright 13-year-old Parker Riley, whose father is the publisher, editor, and sole reporter for The Village Piper newspaper, he had a largely idyllic childhood in Harding Springs. Roughly the same week that his family receives new boarders—widow Cora Swanson and her daughter, Cassandra—the teen witnesses a strange incident involving secretive local oddball Edison Doyle, who seems to have knowledge of everybody else’s affairs. When a deadly house fire breaks out, only Parker notices when events suddenly shift into reverse: The flames dwindle, ashes re-form into intact house decor, and, perhaps most notably, Edison walks through the backwards conflagration to keep a lit candle, dropped by the once-doomed occupant, from causing the blaze. Edison knows that Parker saw him do this, so he confides his secret: He once apprenticed with the late inventor of the Von Pelier Diametric Regulator—a pocket-sized electrical device that uses a rare local mineral, retrozyte, to reverse the flow of time for short periods. Now, Edison takes it upon himself to visit all of Harding Springs’ worst events and prevent them from occurring. He engages Parker as his apprentice, but the secret they share soon begins to leak out—and some not-so-ethical characters covet the power that Edison possesses.

Hatfield’s compact but well-developed historical fantasy tale seems perfectly calibrated for a YA readership. The material approaches, but doesn’t quite enter, the realm of the steampunk subgenre as it evokes an idyllic milieu in which horse-drawn carriages are just starting to give way to motorcars (a black Packard Model 30 gets plenty of attention). Indeed, the story’s ambiance is nearer to the works of Thornton Wilder than those of H.G. Wells, Jules Verne, or more modern SF practitioners, such as Kelly Link; there’s a sweet sense of innocence and just a dab of outdated vernacular to take readers back to days of yore—although the 1960s-vintage term “humongous” is hardly a period-correct adjective. The tale’s fanciful technological jargon should not particularly intimidate readers who have at least a mild familiarity with, say, the BBC TV series Doctor Who; the query “How do you implement the need for the time resonation asynchronization?” is about as severe as it gets. As the perils of these short-term chrononauts become more resonant of silent-film shenanigans, one may be inclined to forget that Parker is narrating all of this as an adult memoirist, despite an upfront giveaway that all ends well—or will end well, or has already ended well. It’s too bad that past practitioners of this sort of adventure aren’t around to appreciate Hatfield’s homey touch.

A fun time-travel caper that has more of the quaint ambiance of a cozy mystery than an epic SF adventure.

Pub Date: Oct. 6, 2024

ISBN: 9798218517922

Page Count: 274

Publisher: Self

Review Posted Online: Nov. 20, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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