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MY FIRST SEVEN YEARS (PLUS A FEW MORE)

A MEMOIR

Pleasingly accessible picture of the faraway childhood that molded a modern artist.

Chronicle of the 1997 Nobel Laureate playwright’s formative years and experiences in his native Italy.

No ponderous discourse on the meaning of life and art from the man (b. 1926) whose body of work includes a TV drama the Catholic Church called the “most blasphemous” ever broadcast to the Italian public. Indeed, Fo’s consistent vein of socialist anti-authoritarian themes even gave the U.S. government pause about granting him a visa to perform here 20 years ago. In his memoir, however, with Farrell’s adept translation, Fo gives glimpse after revealing glimpse of the shy station-master’s son whose imagination, nurtured by caring parents and relatives, and hunger for the aura of the fabulatore—the storyteller—took him far beyond the railroad tracks of his youth. So willing were his parents to enrich his fantasy life, for example, that they encouraged him to believe that all the roof tiles in the Swiss town he could see across Lake Maggiore were made of chocolate. This gentle joke was on him, but Fo realized early on that it was far more fun telling stories when the joke was on the listener, just as his maternal grandfather, Bristìn (a nickname meaning “pepper seed”), would win over customers for his farm produce by needling them as they gathered to buy. But it was the glass-blowers, fishermen and smugglers in the international factory town of Porto Valtravaglia, where his father was reposted, who riveted him with their elaborate stories. After much examination of “the texts of medieval codices and poets,” Fo writes, “I discovered, not without some smug self satisfaction, that . . . in those writings lie the roots of every fable I learned from my story tellers.” The memoir also covers the author’s comic adventures in deserting from the fascist army in wartime by first volunteering for hazardous duty.

Pleasingly accessible picture of the faraway childhood that molded a modern artist.

Pub Date: Oct. 3, 2006

ISBN: 0-312-35917-9

Page Count: 256

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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