by Darius Myers Darius Myers ‧ RELEASE DATE: Dec. 5, 2020
A remarkable cast elevates this routine but socially aware thriller.
Armed hate groups target successful Black businesspeople and philanthropists in Myers’ thriller.
Donald Alexander and six of his friends and colleagues belong to a group dubbed Black Camelot by the media. They’re affluent Black people in New York City, coronated by the media as royalty (“Every story will brand them as the Kings, Queens, Princes, and Princesses of New York City. We follow their lives closely as the city’s royal family. We write about how they brought the spirit of Camelot to New York”). Not everyone feels that way; enraged white supremacist groups dispatch assassins to kill them. Fortunately, the covert Society of Protectors has its collective eyes on Black Camelot, and their highly skilled members thwart the assassination attempts. Meanwhile, Dawn Davis Stuart, also known as Madame Hot Temper, is back in NYC after serving a prison sentence for murdering her husband. She works with popular gossip reporter Luke McFlemming to expose a conspiracy surrounding Bronson Pagent, one of her late husband’s seedy real-estate rivals. This loathsome man, who has secret ties to a hate group, may be setting his sights on both Dawn and Luke. Myers’ follow-up to The Publisher’s Dilemma (2020) rallies its smart, able Black cast and aptly portrays the sad backlash from detestable racists. Unfortunately, Donald, along with fellow returning characters like Kwame Mills and Samantha Rivers, often fades in the background. Surprisingly, Luke garners most of the spotlight, despite the fact that he’s a tactless, self-absorbed, and disliked reporter who many other characters mercilessly (and tediously) mock or chastise. The white supremacists pose very little threat, as Society members easily take down a string of incompetent assassins in swift confrontations to which Donald and the others are typically oblivious. Still, the seven who make up Black Camelot are likably tenderhearted, and “The Voice,” who leads the Society, is delightfully mysterious.
A remarkable cast elevates this routine but socially aware thriller.Pub Date: Dec. 5, 2020
ISBN: 9781087906645
Page Count: 350
Publisher: Fero Scitus
Review Posted Online: Oct. 5, 2023
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Grady Hendrix ‧ RELEASE DATE: Jan. 14, 2025
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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