Not a manifesto but a thoughtful examination of ideas that others have been circulating.
A slim volume of two essays that challenge the very notion of a “post-racial” America.
It’s fitting that New York Review Books is the publisher, since both of these pieces by the publication’s frequent contributor read more like literary surveys than political broadsides. Not that Pinckney (Out There: Mavericks of Black Literature, 2002) sounds like some sort of academic drone; it’s just that he seems more interested in being precise than provocative. The lead (and title) piece derives from a lecture he gave at the New York Public Library describing the struggles of black voters to cast a ballot even after legally being accorded that right and the conservative attempt to again disenfranchise such voters by permitting states to impose onerous regulations. It mixes familial reminiscence with historical perspective, culminating in the mixed blessing of Barack Obama’s presidency: “Obama’s universalism had ‘morphed’ into a race-neutral or color-blind approach to policy that sidelined issues important to black voters, who accepted the situation because they felt that Obama had to be protected from the right.” The second and shorter piece, “What Black Means Now,” which appeared in the NYRB, encompasses a number of books on the subject, as it analyzes the notion of a monolithic blackness in identity, voice, culture and politics. It is particularly incisive on the process of marketing black stereotypes, “turning what have been regarded as cultural defects into cultural virtues.” He writes of “the part the rap aesthetic has played in reconciling the black revolutionary imperative with the materialism in American society” and how “hip-hop crossed racial and class boundaries, its transgressive postures speaking to almost any young man in its orbit.”
Not a manifesto but a thoughtful examination of ideas that others have been circulating.Pub Date: Sept. 30, 2014
ISBN: 978-1590177693
Page Count: 100
Publisher: New York Review Books
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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