An honest, often hilarious and occasionally sluggish tale of a man who loves sex too much.
The fictional account of a self-confessed sexaholic reviewing the path that led to his addiction.
After attending a meeting of Sex Addicts Anonymous, young Dash reflects upon his extensive sexual history. At 15, a coming-of-age visit to a brothel, underwritten by friend Troy’s military father, introduced both teenagers to the pleasures of the flesh. Now, in his ongoing quest for female companionship, Dash is often accompanied by impulsive, devil-may-care buddy Ted, who introduces Dash to AAMP (Asian Massage Parlors), where a request for ‘full service’ gets you more than a deep-tissue rubdown. After Ted makes a hasty exit, Dash falls in with redheaded Fergus, a colorful Irishman with a ravenous libido and money to burn. As Dash beds hundreds of women, he must decide whether to limit his palate to one-night stands or open himself to love and intimacy. For Dash and compatriots, a “hobbyist”—someone keen on prostitutes—is but one of a host of insider terms, many of which are code for ladies of the evening and “the act,” in all its variations. Although Dash, who’s funny as hell and generous to a fault, usually pays for sex, he makes an earnest effort to please his partner, even if she doesn’t excel at her job. As a narrator, Dash isn’t preachy, and mercifully, his story is more confession than cautionary tale. Dialogue is sharp and the narrative witty, although at times the pacing lags. A caveat for the easily offended: Although Dash isn’t misogynistic, some of his acquaintances may be construed as such; e.g., good-time Ted refers to the services of an Asian beauty as “Bang-Bang Chicken.” The book has no profound theme, no impressive story arc, no big takeaway; yet the ending is surprisingly touching. Adult females may delight in discovering what certain men really think and feel about women, in and out of bed.
An honest, often hilarious and occasionally sluggish tale of a man who loves sex too much.Pub Date: March 13, 2013
ISBN: 978-0615746524
Page Count: 298
Publisher: Bexley Press
Review Posted Online: Feb. 20, 2013
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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