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The Hobbyist

An honest, often hilarious and occasionally sluggish tale of a man who loves sex too much.

The fictional account of a self-confessed sexaholic reviewing the path that led to his addiction.

After attending a meeting of Sex Addicts Anonymous, young Dash reflects upon his extensive sexual history. At 15, a coming-of-age visit to a brothel, underwritten by friend Troy’s military father, introduced both teenagers to the pleasures of the flesh. Now, in his ongoing quest for female companionship, Dash is often accompanied by impulsive, devil-may-care buddy Ted, who introduces Dash to AAMP (Asian Massage Parlors), where a request for ‘full service’ gets you more than a deep-tissue rubdown. After Ted makes a hasty exit, Dash falls in with redheaded Fergus, a colorful Irishman with a ravenous libido and money to burn. As Dash beds hundreds of women, he must decide whether to limit his palate to one-night stands or open himself to love and intimacy. For Dash and compatriots, a “hobbyist”—someone keen on prostitutes—is but one of a host of insider terms, many of which are code for ladies of the evening and “the act,” in all its variations. Although Dash, who’s funny as hell and generous to a fault, usually pays for sex, he makes an earnest effort to please his partner, even if she doesn’t excel at her job. As a narrator, Dash isn’t preachy, and mercifully, his story is more confession than cautionary tale. Dialogue is sharp and the narrative witty, although at times the pacing lags. A caveat for the easily offended: Although Dash isn’t misogynistic, some of his acquaintances may be construed as such; e.g., good-time Ted refers to the services of an Asian beauty as “Bang-Bang Chicken.” The book has no profound theme, no impressive story arc, no big takeaway; yet the ending is surprisingly touching. Adult females may delight in discovering what certain men really think and feel about women, in and out of bed.

An honest, often hilarious and occasionally sluggish tale of a man who loves sex too much.

Pub Date: March 13, 2013

ISBN: 978-0615746524

Page Count: 298

Publisher: Bexley Press

Review Posted Online: Feb. 20, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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