A stimulating reassessment of a key section of the Bible coupled with an affecting memoir.
An autobiographical/spiritual work offers a new interpretation of the meaning of the book of Job, considered from the perspective of the author’s own personal tribulations.
At the prompting of his friend Jamie, a preacher, Potter embarked on a study of the book of Job, a project he had no idea at the time would last more than 20 years. His interpretation is a combination of scholarly exegesis and deeply personal reflection, a poignant attempt to overcome the “unacceptable divide” between the two, a source of abiding miscomprehension. According to the author, the “Standard View” looks at Job’s suffering as the consequence of moral transgression. He must have sinned in order to warrant such a catastrophe, and, as a result, the proper response to him is judgment, a tidy analysis of both his travails and the cosmos in which they occur: “The Standard View promised programmable predictability to the cosmos: know what makes God tick, and you can get him to sing and dance at will. The implication for Job was that, since things had gone horribly wrong for him, he was obviously guilty of some horrible crime and therefore needed to put things straight with God.” But Potter contends that the real lesson is that the world—and the pain it contains—may ultimately be inscrutable, though God’s love for all is imperishable. To an impressively searching tour of Job’s “journey through spiritual alienation, personal desperation, and deep depression,” the author pairs an admirably candid account of his own struggles, focusing on the terrifying “combination of rare conditions” that ravaged his daughter’s health and the emotional toll it took on his marriage. Potter writes with unfailing clarity and confessional power—his interpretation of Job is profoundly informed by both rigorous study and thoughtful, personal meditation. The author doesn’t simply implore readers to lean on the Bible for moral counsel and encouragement—he furnishes an illustrative example of how this can be done.
A stimulating reassessment of a key section of the Bible coupled with an affecting memoir.Pub Date: Dec. 3, 2021
ISBN: 978-1-77755-786-7
Page Count: 490
Publisher: Paper Stone Press
Review Posted Online: Jan. 14, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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