This first in a series ends with the son of Satan and the promise of a grand battle between good and evil, but this opening...
The intended laughs don’t materialize in this supernatural chick-lit whodunit, featuring a back-talkin’ P.I. who sees dead people.
Technically, Charley Davidson is a grim reaper, a term applied to humans (she’s not the only one) who act as a portal for those who need help passing to the other side. To the dead, Charley glows and is an irresistible incentive to leave their worldly attachments. But then there are those with unfinished business, such as the three law partners who were just murdered. Teaming up with her uncle, a detective on the Albuquerque Police force, Charley is remarkably proficient at solving murders—she simply asks the recently departed what happened. But as the three lawyers were shot in the back of the head, they and Charley need real detective work to solve the case. As Charley puts the pieces together (it all hinges on a man wrongly imprisoned for the murder of a teenage boy), she is also wrestling with her own demons—literally. Since her birth, which she vividly remembers, she has been guarded over by an entity she calls Bad. Though he’s responsible for saving her life on countless occasions, Charley is petrified in his presence. This is made all the more confusing by the highly charged sexual encounters she’s been having, first while dreaming and now awake, with a phantom-like presence. She believes her dream-lover to be Reyes Farrow, a young man she once saved, but that he’s in a coma in a penitentiary hospital and that he whispers the name Bad has always used for her, throws everything Charley knows about this dimension and the next into question. Though Jones has created a worthy conceit, her heroine is less than appealing. A little snotty—to both the living and the dead—Charley is an unlikely guide for a series with a foot in the underworld.
This first in a series ends with the son of Satan and the promise of a grand battle between good and evil, but this opening offers little more than a clever premise and a ho-hum murder mystery.Pub Date: Feb. 1, 2011
ISBN: 978-0-312-66275-2
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Dec. 2, 2010
Kirkus Reviews Issue: Dec. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
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