An elegant novel of ideas concerning decidedly inelegant topics, empathetic but unforgiving.
A pensive, provocative novel of history, memory, and our endlessly blood-soaked times by one of the foremost writers to have emerged from the former Yugoslavia.
“Andreas Ban feeds himself with other people’s lives on his journey towards death, that most powerful goddess of ultimate oblivion,” writes Croatian novelist Drndic (Leica Format, 2015, etc.). Ban has retreated from psychological practice after finally despairing of figuring people out, has retreated from writing after running out of things to say, but he has not stopped visiting the past. Once familiar with every corner of Paris and New York, he now lives in a provincial town on the Adriatic coast, slowly falling apart and, in his disintegration, quite obviously hastening toward death; now he is living with memories, recalling “old friendships, dead loves, abandoned towns, books, books, real and unreal characters….” As he remembers, as he sifts through all those books and his files, he makes one troubling connection after another. An exile from the town dreams of murdering his father, who in turn has taken part in the murder of its Jews, all of which, remembering, Ban cannot corroborate because everyone involved is long dead; a superb director whose films he admires turns out to have made a hateful pro-Nazi film during the war, then, soon after, a socialist-realist homage to Yugoslavia’s Communist regime without missing a step; and so on. “How can it be, one minute this, the next that?” It is all enough to drive Ban to distraction, along with his steadily dissolving vertebrae and what he is sure is a lurking cancer. There are remedies: he can stop thinking, stop remembering, stop accumulating odd bits of knowledge on the shape of ears, the habits of lobsters, depression among zoo animals, and so on, and slip away. Or he can take matters into his own hands, whence the title of Drndic’s book, which, though somber, ends on an unexpectedly hopeful note.
An elegant novel of ideas concerning decidedly inelegant topics, empathetic but unforgiving.Pub Date: Sept. 15, 2017
ISBN: 978-0-8112-2721-6
Page Count: 400
Publisher: New Directions
Review Posted Online: July 3, 2017
Kirkus Reviews Issue: July 15, 2017
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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