A quiet, solid mood piece with a quiet, solid protagonist, who becomes a hero simply by doing his job every day. The soft prose and starlit illustrations evoke the paperboy's suburban world, as he tiptoes past the bedroom doors of his sleeping family and bikes with his dog through the chilly predawn air. The paperboy is black and, in these paintings, looks a little like another solitary hero, Peter, in Ezra Jack Keats's The Snowy Day (1962). The paperboy's story has a satisfying roundness, beginning and ending in the snug warmth of his bed. The paper route interrupts his dream life, but also extends it: It gives him time to think about the big and little things in his day. When dawn comes it is a celebration, a daily miracle, and the whole book brightens its hue. Pilkey (The Hallow-Wiener, 1995, etc.) may have created a throwback to a simpler time by presenting work as a desirable activity for children; this book is a gentle salve for the instability in so much of modern life. (Picture book. 4-10)
Pub Date: March 1, 1996
ISBN: 0-531-09506-1
Page Count: 32
Publisher: Orchard
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 1996
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
A stocking stuffer par excellence, just right for dishing up with milk and cookies.
Pigeon finds something better to drive than some old bus.
This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”
A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)Pub Date: Sept. 5, 2023
ISBN: 9781454952770
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Sept. 12, 2023
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