by Dave Barry ‧ RELEASE DATE: Sept. 23, 2003
His journalist’s beat also covers long forgotten historical topics like the Great Florida Presidential Election Recount, the...
Fans may be surprised that the indefatigable comic somehow omitted his name from the title, they will be happy to find “boogers” emblazoned up there on Barry’s latest gathering of columns.
His journalist’s beat also covers long forgotten historical topics like the Great Florida Presidential Election Recount, the last Winter Olympics, and Gary Condit. He reports on the dances of Republican conventioneers and the hip-hop of Bill Clinton. Barry, accompanied by Jamling Tenzing Norgay, climbs Miami’s Mt. Trashmore and, among other studly things, considers Humvees. Of course, there’s material about women, income taxes, and a running debate with North Dakota. The formula (“seriously, folks”) may be running a bit threadbare, but any Federal Statute or Law of Nature notwithstanding, he’s still funny. If you don’t think so, you are a Bad Person. Also included: Barry’s two somber and acutely written pieces on the events of 9/11. Boogers remain all his, though. (10 line drawings) (He draws a manly line at using guest towels, however.) Of course, there’s material about women, income taxes, and a running debate with North Dakota. The formula (“seriously, folks”) may be running a bit threadbare, but any Federal Statute or Law of Nature notwithstanding, he’s still funny. If you don’t think so, you are a Bad Person. Also included: Barry’s two somber and acutely written pieces on the events of 9/11. Boogers remain all his, though(10 line drawings)Pub Date: Sept. 23, 2003
ISBN: 1-4000-4757-9
Page Count: 256
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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