It had to happen. Old Mister Barry (Dave Barry Is from Mars and Venus, 1997; Dave Barry in Cyberspace, 1996; etc.), like many another humorist, has advanced in years and lived to tell about it. Baby Boomer comics are reaching the half-century mark in droves. It generally turns them solipsistic as well as silly, as they hearken to toots, creaks, squeaks, and other sounds of creeping senescence. Barry reports on his physical condition, too, and why not? But he also has another idea. A good part of his current effort presents a cultural history of the formative Boomer times and his part in them, starting with 1947 and going through 1974, when, it appears, the author gets tired of the exercise. If it’s not quite Mark Sullivan’s memorable six-volume Our Times covering the century’s early decades, the survey is, indeed, our times (or Barry’s times, anyway). And pretty foolish they seem, too, as Barry’s time capsule recalls popular music, consumer products, TV shows, advertising, and, of course, the ever looming threat of godless communism and the scary Sputnik. Nixon, Johnson, Kissinger are recalled with pleasant contempt. Fearlessly, the author names names; and almost always the name is the late Buffalo Bob, so things weren’t all bad. There was, after all, “streaking,” and Barry would like to see the fad of naked sprinting brought back, although in the case of Boomers, “there should definitely be a weight limitation.” In addition to the nostalgia, Dave presents obligatory lists (number 14 in “25 Things I Have Learned in 50 Years”: “Nobody is normal—), review questions, and footnotes (all citing “Buffalo Bob”). And nowhere is the word “prostate” found—except on the cover. Barry’s even longer in the tooth than he was when he wrote Dave Barry Turns 40, but despite his protestations of dotage, he is still clever enough to be his old funny self. There will probably be more laughs before Dave Barry Turns 60. (Author tour)
Pub Date: Oct. 14, 1998
ISBN: 0-609-60327-2
Page Count: 224
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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