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DAVE BARRY’S HISTORY OF THE MILLENIUM (SO FAR)

A book that’s fearless in the face of fact.

With the third millennium more than one half of one percent finished, humorist/novelist Barry (The Shepherd, the Angel, and Walter the Christmas Dog, 2006, etc.) is the first kid on the block to decide it’s high time for its history.

Ah, the nostalgia! Those magnificent Enron years—or maybe they were great WorldCom years—seem like only yesterday! How could we have forgotten The Election from Hell, Kelsey Grammer, color-coded security alarms, Elián González or a man named Dan Rather? Month by month, historian Barry carefully chronicles the science, the politics and the necrology of those years so long ago. He covers the usual scourges (Iraq, hurricanes, killer spinach and lawyers), the laughs (Congress, “coalition forces” and lawyers) and the criminals (Osama, Winona Ryder and Martha Somebody). Ever the environmentalist, Barry recycles. In this case, his text is largely reclaimed from annual newspaper columns. Because it was just so rotten, the year 2001 is entirely omitted. But an added feature, sure to be of value to students everywhere, is a 30-page survey of the delightful previous millennium, Y1K. Some years are skipped to get to the good parts, and Barry is up to hoary old tricks: non sequiturs, running gags, mish-mashed metaphors. This is history willy-nilly, and, unusual for Barry, it’s entirely booger-free.

A book that’s fearless in the face of fact.

Pub Date: Sept. 1, 2007

ISBN: 978-0-399-15437-9

Page Count: 224

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2007

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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