Amusing and meaningful, light and yet profound, like the best magazine in the world—which unfortunately comes out only once...
In his foreword, editor Eggers makes note that the second entry in this particular Best American series is not as limited as other Best series are, “making them whimper and cower in a way that is shameful.”
Making no real claim to be anything other than a gathering of “good work of any kind,” the volume seems like nothing more than a literary mix-tape of stories that Eggers and his committee members thought were really cool. And thank God. Because if there had been any real divining purpose here, a powerful vision of any sort, we most likely would never have seen a book collect Lynda Barry comics, deadly serious articles from The Atlantic, and side-splitting pieces from The Onion, and make them all seem akin: good and definitely not-required reading (Zadie Smith makes a valiant effort, in her introduction, to define what’s so great about non-required reading, but it’s a scattered piece, and should probably be passed by). Of the material itself, the aforementioned Atlantic article is that monster of an exposé by Mark Bowden, “Tales of a Tyrant,” slyly and impressionistically taking the reader inside the twisted, Mao-esque world of Saddam Hussein, back when he had a country. There are skilled forays into fiction, like David Drury’s “Things We Knew When the House Caught Fire,” one of several items here that deals alarmingly well with the cruelty of children to other children. Surprisingly enough, two of the strongest pieces come from Esquire, whose death has been announced perhaps prematurely: David Sedaris’s “Rooster at the Hitchin’ Post” is predictably funny, but nonetheless unique, and Daniel Voll’s “Riot Baby,” an epic piece of reportage on the 1992 LA riots, closes the book with a resounding knell of doom.
Amusing and meaningful, light and yet profound, like the best magazine in the world—which unfortunately comes out only once a year.Pub Date: Oct. 10, 2003
ISBN: 0-618-24695-9
Page Count: 288
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2003
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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