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SOUND AND FURY

THE PARALLEL LIVES AND FATEFUL FRIENDSHIP OF MUHAMMAD ALI AND HOWARD COSELL

Nicely written insider’s compendium on the men, their times and TV’s impact on sports.

Award-winning sports journalist Kindred (Glove Stories, 2002, etc.) captures the spirit of an era in intersecting biographies of two truly irrepressible personalities.

The author, who knew both Ali and Cosell, might be accused of forcing them together here, as each has been the subject of numerous other books, including their own. What common bond, after all, could the offspring of Russian-Jewish immigrants to Brooklyn have with a Kentucky sign-painter’s son 24 years his junior? Kindred quickly answers this question, and dispels any doubts about his project, with a vast barrage of anecdotes, testimonials and riveting summaries of media events that freeze the essential moments as two ambitious careers collide and meld in a decades-long dance of sometimes brilliant and often shameless mutual exploitation. Immediately after their first encounter in the early 1960s, the bombastic doggerel of Cassius Marcellus Clay Jr., a 20-year-old Olympic heavyweight champ turned pro, and the sesquipedalian arrogance of Cosell, an apostate attorney dreaming of a media spotlight as the prototypical sports journalist, became an irresistible attraction for a TV nation hungering for “telling it like it is.” With Cosell pushing Clay, soon to rename himself Ali, with intimidating questions about his unorthodox boxing style (“Are you, in fact, afraid of being hit?”), and Clay in turn threatening to snatch off his mock adversary’s obvious toupee on camera, the show boomed along into the big time. When Ali turned Muslim draft-resister, Cosell, almost alone, stayed in his corner. As fans of both remember, and Kindred well documents, the lows inevitably came. For example, a past-his-prime Ali suppressing a medical exam that showed neurologically impaired coordination, only to be pummeled by undefeated champ Larry Holmes. Or Cosell being accosted by frustrated broadcasting partner Al Michaels after downing the better part of a bottle of vodka during a baseball game.

Nicely written insider’s compendium on the men, their times and TV’s impact on sports.

Pub Date: March 8, 2006

ISBN: 0-7432-6211-5

Page Count: 352

Publisher: Free Press

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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