by Dave Tabler ‧ RELEASE DATE: Nov. 1, 2023
Striking images and amusing stories paint a colorful (if disorganized) portrait of 19th-century Delaware.
Tabler presents this eclectic collection of tales about the “First State” in the 19th century.
The second book in the author’s intended trilogy on Delaware history covers the 19th century, with a bit extra on either end. From early town planning through the Civil War, suffragists, and early automobiles, Tabler takes the reader through a series of vignettes about intriguing, amusing, or notable incidents in the history of Delaware, compiling a gallimaufry of colorful characters and political shifts. Ten sidebars highlight compelling aspects of local culture and customs, such as “Return Day” (a celebration of rival political parties working to resolve their issues),scrapple, and whipping posts—which, surprisingly, were still legal until 1972, making Delaware the last state to abolish them. Instead of aiming for a comprehensive account of the region, the author chooses an eclectic approach that makes the reader’s experience seem like spending an afternoon in a quaint local history museum with an enthusiastic docent. The contents are entertaining and varied, offering glimpses of little-known aspects of American history, from Colonial-era enmity between Whigs and Tories to inventions such as the Manby mortar, a cannon-like device used in rescuing people from sinking ships, to a bartending goose. Striking images (including full-color photographs and maps) and brief introductory remarks are grouped in the first 74 pages, with more detailed text following from page 75 on—this requires readers who want more than captions to keep flipping forward and back to read a full story. Presenting the material in chronological order often separates related incidents and themes, and Tabler doesn’t always connect the events being discussed. For example, violent incidents occurring during the elections of 1787 are mentioned in two adjacent entries that don’t reference each other—although they illustrate that hot tempers and contested votes are nothing new in American history.
Overall, the author’s selection of topics seems somewhat arbitrary, more a collection of random items than an organized sequence of major events. This approach yields sometimes odd juxtapositions, with the Underground Railroad and scrapple’s humble origins presented back-to-back and a pioneering astronomer profiled between accounts of Civil War hardships. In a few cases, Tabler includes information that is only tenuously tied to the state, as when relating the famous “cherry tree” story about George Washington, invented by Parson Weems, even though it appears that Weems’ only Delaware connection is that he once preached at St. Peter’s church in Lewes. Overall, however, the author achieves a nice balance of humorous and serious elements. Tabler’s straightforward writing style is appropriate for the material, but it is often marred by awkward phrasing and clunky sentences. The author is also overly fond of puns and sometimes falls back on clichés (“Combustible plant working conditions were accidents waiting to happen”). The 140 engaging, high-quality images are arranged to provide context for present-day photos of artifacts and locations. While all of the images have source references (the acknowledgments cite more than 40 organizations and individuals), no sources or notes are provided for the text. Striking images and amusing stories paint a colorful (if disorganized) portrait of 19th-century Delaware.Pub Date: Nov. 1, 2023
ISBN: 9798987000632
Page Count: 112
Publisher: Self
Review Posted Online: Aug. 24, 2023
Review Program: Kirkus Indie
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author-photographer Dave Tabler
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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