Adler anchors great numbers in cool facts, but once past a billion, the zeroes are still helplessly dizzying.
Adler endeavors to get a grip on the slipperiness of big numbers.
Adler, along with Miller and his cut-out–style, cartoony artwork, has delivered on all manner of math, to the delight of those who turn into deer-in-the-headlights when confronted with numbers (Perimeter, Area, and Volume, 2012, etc.). Here they take a stab at wrapping young heads around millions and billions and beyond. The book starts out with “One million is a lot. It’s one thousand thousands,” but words aren’t enough. You have got to visualize. A million is the number of sugar granules in a quarter-cup measure. Spill them out on a piece of construction paper and take a gander. One million. They try to keep the mood upbeat, counting sundaes (with a billion dollars, “[a]t five dollars a sundae, you could buy one thousand sundaes every day for more than five hundred years”) or birthday parties—but they throw in the towel on a grace note and a reprieve: “You couldn’t count to a trillion.” There are also a couple of bracingly sly jabs: “Someone with one billion dollars could give away ten million dollars every year for one hundred years.” Listen up, you 1 percent. An abbreviated tour from quadrillion to sextillion is followed by the deflating news that “names for large numbers are not the same everywhere. In some parts of the world, what we call a billion is called a milliard,” but by now we have come to suspect these big numbers are pretty crazy creatures.
Adler anchors great numbers in cool facts, but once past a billion, the zeroes are still helplessly dizzying. (Informational picture book. 6-10)Pub Date: March 1, 2013
ISBN: 978-0-8234-2403-0
Page Count: 32
Publisher: Holiday House
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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