Executed well and fun to read, this is a great addition to an already acclaimed series.
In this companion to Geisel Award–winning Don’t Throw It to Mo! (2015), it’s basketball season for small and mighty Mo Jackson, who must practice, practice, and practice before the big game.
Everyone on the team is taller than the little black boy, and he’s struggling to make sure his passes reach their hands. Coach Emma tries to help, but it’s not coming easy. “I have to practice passing,” Mo tells his dad on the walk home after practice. The big game is Saturday, and Mo’s mom prepares him with a big breakfast. Mo and teammate Eve watch from the bench until Eve enters after halftime. The score remains close deep into the second half. Mo will finally have his chance, as his teammate Gail needs to get a rest. “Go in” Coach says, and everyone waits to see if Mo can do what he’s been practicing all week. He’s quickly backed into a crunch, with the overpowering adversary Big Max blocking his way. “Here goes,” Max says as the book races to a surprising finish. The cartoon-styled, detailed illustrations allow emerging readers to follow the developing plot and make predictions using essential character context clues, while an ethnically diverse set of characters and equally diverse array of youth body types found within the story make for a well-rounded portrait of today’s readers. Mo’s mom and dad are both black, and Coach Emma is both brown-skinned and a woman.
Executed well and fun to read, this is a great addition to an already acclaimed series. (Early reader. 4-7)Pub Date: Jan. 30, 2018
ISBN: 978-0-425-28978-5
Page Count: 32
Publisher: Penguin Young Readers
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
The snappy text will get toes tapping, but the information it carries is limited.
Dancing is one of the most universal elements of cultures the world over.
In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.
The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)Pub Date: March 3, 2020
ISBN: 978-1-63592-142-7
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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