F is for flop.
First seen in The Happy Little Yellow Box (2011), the title character returns to demonstrate alliteration in this alphabetical outing.
The smiling box is the only bit of color (aside from red directional arrows) in an A-to-Z progression that is otherwise all simple white lines in solid black fields. This makes it easy to spot, whether it’s hiding in a pull-up clump of “gracefully growing grass,” acting as the “exciting surprise” beneath an “egg”-shaped flap or taking a “joyful jump” at the end of a pull tab. A few exceptions aside, though—notably a dramatic final “Zoom” from behind a cloud—this is a lackadaisical effort that offers just five pop-ups; fully 15 letters come with no movable effect at all, not even a flap. Moreover, with the surreal exception of “P is for puffy planet,” most of the exemplars are commonplace (“A is for apple and five ants”). “Q” is for a “quiet mouse”; “X” is for an “exercising X” (pull the tab, and it touches its toes—but it’s all too easy to lose that tab under the page with use).
F is for flop. (Pop-up alphabet book. 2-4)Pub Date: July 8, 2014
ISBN: 978-1-4814-0295-8
Page Count: 14
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 14, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original...
A sweetened, condensed version of the best-selling picture book, The Kissing Hand.
As in the original, Chester Raccoon is nervous about attending Owl’s night school (raccoons are nocturnal). His mom kisses him on the paw and reminds him, “With a Kissing Hand… / We’ll never be apart.” The text boils the story down to its key elements, causing this version to feel rushed. Gone is the list of fun things Chester will get to do at school. Fans of the original may be disappointed that this board edition uses a different illustrator. Gibson’s work is equally sentimental, but her renderings are stiff and flat in comparison to the watercolors of Harper and Leak. Very young readers will probably not understand that Owl’s tree, filled with opossums, a squirrel, a chipmunk and others, is supposed to be a school.
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original shouldn’t look to this version as replacement for their page-worn copies. (Board book. 2-4)Pub Date: April 1, 2014
ISBN: 978-1-933718-77-4
Page Count: 14
Publisher: Tanglewood Publishing
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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