The sequel to REMF Diary (1988—not reviewed): an account of the last days of an Army clerk's Vietnam tour-of-duty from July 5 through October 23, 1967. Both books claim to be novels, but if you're looking for intense combat scenes or romantic interludes back in Hawaii, you'll be disappointed. The fate of Western democracies is not decided here. The point is comic, although in a way cautionary: this is the tale of a clerk in the rear areas of Saigon and the plush base at Long Binh, and the truth is that it is at least as representative of the enlisted man's Vietnam war as are tales of combat by Larry Heinemann, Gustav Hasford, or John M. Del Vecchio. Willson's diary entries are detailed and often annoying accounts of: how little work he can do in a day, the books he reads (mostly mysteries), what was served at the mess hall, the TV shows he watched, and the rock songs he listened to. Characters emerge—such as the officer who seems to have a vendetta against him; several buddies; and some prostitutes—but Wilson appears to have drawn almost verbatim from his diary at the time. He sets no scenes and for the most part does not even reproduce dialogue, but nonetheless the minuteness of his account causes the rear echelon war to emerge, in its droning, hot, meaningless stupidity. We see Willson planning for his R & R in Hong Kong and then enjoying it; his naivetÇ and unwitting irony are a delight and irritation at once. He starts from the point of view that none of what is going on around him makes sense, and neither do the objections to it. Maybe it's not so different from ``the world'' itself, where the first object is to survive, and the second is to enjoy oneself. With all the agony we have come to associate with the Vietnam War, many young men had the time of their lives, and will never enjoy themselves so much again. Whether these two diaries are novels begs the question— there's a narrative here, and a sly wit at work.
Pub Date: May 7, 1992
ISBN: 0-930773-21-7
Page Count: 160
Publisher: Black Heron
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1992
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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