An exhaustive yet engaging fictionalized account of an absorbing espionage case.
A novel focuses on an American family and Cold War intrigue.
In 1950, Edward Dimock is part of the defense team for Alger Hiss’ second trial. The American government official is accused of spying for the Soviet Union, though the trial is technically for perjury. Is Hiss part of an espionage ring and guilty of perjury, or is he innocent? The jury decides on the former, which sends Hiss to prison. But that is hardly the end of the matter. Many of those involved in the case meet unseemly ends. For instance, a man named Laurence Duggan who could have identified Hiss “if he sang to the FBI, or if he’d been called to testify in the trial” perishes from an “accidental” fall from his office window. Fast-forward to the year 2002. Edward asks his grandson, George, to edit his memoir. Much of the book contains information about the Hiss case. But intrepid George, who almost got a doctorate in astrophysics from Princeton, does some investigating of his own. He teams up with a sprightly artist/rock climbing instructor named Wendy Bradley. Together, George and Wendy dig deeper. As Edward says, there may be many crimes that have gone unrecorded and unpunished, “invisible but shaping the reality we lived through.” At over 900 pages,Cleveland’s book is immense. It is about much more than Hiss and one of his attorneys. There are detailed elements of George’s family. Edward was nearly a Supreme Court nominee. Edward’s son, Teddy, despite his privileged life, enlisted to fight in the Korean War. Then there are numerous historical connections of note. Hiss attended the Yalta Conference with Franklin D. Roosevelt. Ethel Rosenberg’s brother, David Greenglass, was in the same prison at the same time as Hiss. While some fictional elements can weigh the story down (readers learn how Wendy organizes her Brooklyn studio), the portions infused with history are truly compelling. Readers need not buy into grand conspiracies to come away with the idea that, for controversial figures like Hiss, there was a lot more going on than people may ever realize.
An exhaustive yet engaging fictionalized account of an absorbing espionage case.Pub Date: May 17, 2022
ISBN: 978-1-62634-918-6
Page Count: 928
Publisher: Greenleaf Book Group Press
Review Posted Online: May 11, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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