GÖTZ AND MEYER

Name: GÖTZ AND MEYER
Author: David Albahari
ISBN: 0-15-101141-9

by David Albahari & translated by Ellen Elias-Bursać ‧ RELEASE DATE: Dec. 5, 2005

Decades later, the Holocaust continues to enslave and inspire the European literary imagination—seldom more memorably than...

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What Hannah Arendt called “the banality of evil” is evoked with intensity in the prizewinning Serbian-born author’s previously untranslated 1998 novel.

The title characters are two SS officers who were—Albahari’s unnamed narrator informs us—employed to transport Serbian concentration camp “survivors” by truck to what their passengers believed would be safety (in Romania or Poland) but was, in fact, their deaths—by gas pumped into the truck from its exhaust pipe. These bodies—of women, children and old people who had “escaped” being shot—were then unloaded and buried by other Serbian Jews. This horrific scenario replays itself obsessively in the increasingly unsettled mind of the narrator, a middle-aged teacher of literature who attempts to give his young students a sense of their culture’s tortured history, during a class bus trip that retraces the route of the aforementioned death truck, whose victims included 67 of his own relatives. “For me to truly understand real people like my relatives,” he observes, “I had first to understand unreal people like Götz and Meyer.” In claustrophobic cascading sentences contained in a single unbroken paragraph (a technique recalling that of the great Austrian writer Thomas Bernhard), Albahari’s narrator seeks the human faces of the officious pair who were only following orders; who distributed candy to children they were about to murder; who presumably were themselves loving husbands and fathers, law-abiding citizens transformed by historical exigency into unquestioning, obedient good soldiers. The narrator’s imagination falters, his mind spins out of control into something very like madness and the enigma remains unexplained.

Decades later, the Holocaust continues to enslave and inspire the European literary imagination—seldom more memorably than in Albahari’s brilliantly disturbing novel.

Pub Date: Dec. 5, 2005

ISBN: 0-15-101141-9

Page Count: 176

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2005

Categories:

HISTORICAL FICTION | GENERAL FICTION

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CHECKPOINT
by David Albahari ; translated by Ellen Elias-Bursać

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THE NIGHTINGALE

by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015

Still, a respectful and absorbing page-turner.

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Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Categories:

HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP

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by Kristin Hannah

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by Kristin Hannah

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THE GREAT ALONE
by Kristin Hannah

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.