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MY DAD’S A BIRDMAN

Almond aims at a younger audience than usual, but crafts a tale at least as emotionally complex as any of his heavier outings. Young Lizzie’s widowed dad has regressed back to childhood—to the point where she has to force him to eat breakfast, can’t get him out of pajamas and even frets about leaving him alone in the house while she’s at school. Worse, he’s constructed wings, taken to eating bugs and worms on the sly to get his weight down and entered the Great Human Bird Competition in order to “make me mark at last.” Building on this depressing premise, the author unexpectedly fashions a buoyant story in which “It doesn’t matter if we fly or if we fall. We’ve got each other. We’re doing it together. That’s all that matters.” The characters sport silly names like Doreen Doody and Mr. Poop, and Dunbar’s colored illustrations, which appear on nearly every spread, evoke Quentin Blake. Readers will definitely come away with mixed feelings—not necessarily a bad thing, to be sure. (Fiction. 10-12)

Pub Date: April 1, 2008

ISBN: 978-0-7636-3667-8

Page Count: 128

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2008

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THE BAD BEGINNING

The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)

Pub Date: Sept. 30, 1999

ISBN: 0-06-440766-7

Page Count: 162

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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MY LIFE AS A POTATO

On equal footing with a garden-variety potato.

The new kid in school endures becoming the school mascot.

Ben Hardy has never cared for potatoes, and this distaste has become a barrier to adjusting to life in his new Idaho town. His school’s mascot is the Spud, and after a series of misfortunes, Ben is enlisted to don the potato costume and cheer on his school’s team. Ben balances his duties as a life-sized potato against his desperate desire to hide the fact that he’s the dork in the suit. After all, his cute new crush, Jayla, wouldn’t be too impressed to discover Ben’s secret. The ensuing novel is a fairly boilerplate middle–grade narrative: snarky tween protagonist, the crush that isn’t quite what she seems, and a pair of best friends that have more going on than our hero initially believes. The author keeps the novel moving quickly, pushing forward with witty asides and narrative momentum so fast that readers won’t really mind that the plot’s spine is one they’ve encountered many times before. Once finished, readers will feel little resonance and move on to the next book in their to-read piles, but in the moment the novel is pleasant enough. Ben, Jayla, and Ben’s friend Hunter are white while Ellie, Ben’s other good pal, is Latina.

On equal footing with a garden-variety potato. (Fiction. 10-12)

Pub Date: March 24, 2020

ISBN: 978-0-593-11866-5

Page Count: 272

Publisher: Random House

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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