From a master of the symbolism of darkness as it stands in opposition to light and hope: the opaque story of an unusual boy named Joe and a cast of eccentric and unsavory characters. Joe, who feels “ . . . the lark singing inside him and the tiger prowling inside him,” is a complex, enigmatic character. While he is sensitive and intelligent inside, he is outwardly troubled, awkward, stammering, and dreamily vague. Townsfolk, including his peers, psychiatrists, social workers, teachers, and policemen consistently misunderstand and sometimes victimize him. When a down-at-the-heels circus arrives in town for its last performances before folding, this lonely outsider is drawn to the circus folk and they to him. They are looking for a hero who has the heart of a tiger to carry the skin of the circus’s last tiger into the forest. A blind diviner uses her odd rituals to foretell that Joe will be that hero. So does young Corinna, a circus flyer who speaks in esoterica and believes Joe to be her twin from another life. The two carry the tiger skin into the night forest and succeed in driving away a swaggering thug who specializes in toughening up boys with his own ritual of cruel blood sport. The story ends with a metaphorical reconciliation as Joe’s constant, devoted mother invites the shunned circus folk to a party in her garden, where they delight neighborhood children. The reader senses that Joe’s secret heart may have found a “home.” Beautifully written, this nonetheless is a largely metaphysical tale of stalker versus prey (real and surreal, animal and human), featuring mainly symbolic characters with whom readers may not connect and about whom they may not care. (Fiction. 12-15)
Pub Date: Oct. 8, 2002
ISBN: 0-385-72947-2
Page Count: 208
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
Fans of Cameron’s Huey and Julian stories (More Stories Huey Tells, 1997, etc.) are in for a treat as Gloria, their friend from those tales, gets a book of her own and graciously allows the two brothers to share it . In the first tale, Gloria makes a wonderful card for her mother, but the wind blows it away and it ends up in the cage of a cantankerous parrot. Thanks to Mr. Bates, Huey and Julian’s dad, the day is saved, as is the burgeoning friendship that Gloria and the boys have struck up with new neighbor Latisha in the story, “The Promise.” In another story, Gloria has to deal with a huge problem—fractions—and this time it’s her dad who helps her through it. Mr. Bates proves helpful again when the group trains an “obsessed” puppy, while Gloria’s mother is supportive when Gloria is unintentionally hurt by her three best friends. The stories are warm and funny, as Gloria, a spunky kid who gets into some strange predicaments, finds out that her friends and wise, loving adults are good to have around when trouble beckons. Great fun, with subtly placed, positive messages that never take center stage. (b&w illustrations) (Fiction. 8-12)
Pub Date: March 9, 2000
ISBN: 0-374-32670-3
Page Count: 93
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
There is something profoundly elemental going on in Smalls’s book: the capturing of a moment of unmediated joy. It’s not melodramatic, but just a Saturday in which an African-American father and son immerse themselves in each other’s company when the woman of the house is away. Putting first things first, they tidy up the house, with an unheralded sense of purpose motivating their actions: “Then we clean, clean, clean the windows,/wipe, wipe, wash them right./My dad shines in the windows’ light.” When their work is done, they head for the park for some batting practice, then to the movies where the boy gets to choose between films. After a snack, they work their way homeward, racing each other, doing a dance step or two, then “Dad takes my hand and slows down./I understand, and we slow down./It’s a long, long walk./We have a quiet talk and smile.” Smalls treats the material without pretense, leaving it guileless and thus accessible to readers. Hays’s artwork is wistful and idyllic, just as this day is for one small boy. (Picture book. 5-8)
Pub Date: April 1, 1999
ISBN: 0-316-79899-1
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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