Perplexing yet satisfying: If time moves in a circle, is a linear narrative possible?
In a world where humanity has almost been wiped out, a teenage girl and her dog set out on a mysterious and potentially foolhardy journey.
Nico and her parents survived the flu spread by ravenous Flu-flies by retreating to an isolated farmhouse, where they lived on supplies brought by the Deliverer. Then Nico’s mother fell ill and died. When it seems that her father will succumb as well, he tells her that a beloved story from her childhood is actually true and that she must travel to see for herself a certain geological anomaly. Nico sets out into woods she has only ever viewed from her window, quickly learning of the darkness that exists outside—as well as the beauty. As her journey continues, she meets others, including Kit, a serious 12-year-old. They all sense that they have been here before—that perhaps time runs in a loop. In this near-future setting, social constructs of our present day influence the story in a way that is well executed and resonant. Strange and off-kilter, this is not a simple post-apocalyptic novel but instead a quiet, philosophical exploration of humanity with a touch of science fiction around the edges. Defying strict genre categories, Arnold leaves readers wondering and unbalanced until the final page. Nico and Kit are White; other characters are Black and Jordanian.
Perplexing yet satisfying: If time moves in a circle, is a linear narrative possible? (Post-apocalyptic. 13-adult)Pub Date: Feb. 9, 2021
ISBN: 978-0-593-20222-7
Page Count: 432
Publisher: Viking
Review Posted Online: Nov. 23, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A magical story with a classic Disney feel exploring love, friendship, and leading amid hardship.
Shortly before the new queen’s coronation, a monster wreaks havoc, forcing a young fairy princess to intervene at her own risk.
In Pixie Hollow, the Never Fairies of Spring, Summer, and Autumn work to create seasons for the humans on the Mainland, while the fairies of Winter remain apart in the Winter Woods. Clarion, a governing-talent fairy who’s soon to take over as queen of Pixie Hollow, often looks wonderingly at the Winter Woods. But crossing the border is against the rules set forth by her mentor, Queen Elvina. When a monster from Winter breaks free and enters Spring, Clarion bristles at Elvina’s dismissal. Determined to be involved, she secretly travels to Winter, meets with Milori, the Warden of the Winter Woods, and learns that the land is nothing like what she’s heard, making her wonder what else the queen has been untruthful about. Together Milori and Clarion work to discover the secrets of Pixie Hollow, which may save them—or lead to death. Set in a magical place of flowers and pixie dust, this story considers the control we have over the roles we’re assigned. Clarion is a beautifully complex character—strong yet insecure, lovable due to her willingness to prioritize relationships over rules. Themes of fear, forbidden love, and good vs. evil are present in this fast-paced, engaging tale. Main characters are cued white.
A magical story with a classic Disney feel exploring love, friendship, and leading amid hardship. (Fantasy. 12-18)Pub Date: Feb. 4, 2025
ISBN: 9781368098458
Page Count: 400
Publisher: Disney Press
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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