EDGER

An average Joe has a chance to be a superhero and face off against a supervillain—using tech that may be deadly to the user—in Beem’s (Abyss of Chaos, 2011) offbeat comedy.

Edger (Ed-jer, as he constantly stresses) Bonkovich is a typical Dork—tech support at Über Dork, a subsidiary of InstaTron in San Diego. He knew InstaTron CEO/founder Mike Dame back at Notre Dame, where they discussed concepts Mike used to earn a degree and start his company. But now Mike needs Edger’s help. Someone has stolen InstaTron Tron, a cumbersomely named artificial intelligence, and released it. The villainous AI seems hellbent on creating anarchy. With an injection of nano-neuro medicine, Edger can access, via his own mind, the dreamlike Collective Unconscious (a database of everyone who’s ever lived) to recover the InstaTron Tron. Unfortunately, the AI is a necessary component to prevent the brain from information overload; without it, Edger will die within 96 hours. Complicating matters is a fiendish organization called Nostradamus. But Mike has also given Edger a ring that uses nanofibers to outfit him with a body-armored “space-ninja costume.” He even stumbles upon a few surprising allies in the Collective Unconscious, like Bruce Lee. Beem laces his absurdist plot with kooky imagery. The AI’s biological host is, at one point, a cow, and a nearly 300-pound defensive tackle may be a spy. These gags make it easy to ignore the sometimes-muddled plot points (the motive for stealing the AI is unclear). The characters, however, are earnest and multilayered. Edger, like any good superhero, battles baddies as well as personal issues, e.g., low self-esteem. He’s funny, too, dropping random words into common phrases (“What the kumquat?”).

Outlandish, hectic, and sometimes illogical but undeniably entertaining.