by David Berlinski ‧ RELEASE DATE: Sept. 13, 2005
Novices may be overwhelmed, but for the mathematically inclined, this is a real treat.
Not a formal history of math so much as a “good parts” version of that history.
After a nod to earlier civilizations, Berlinski (A Tour of the Calculus, 1995) begins with the Greeks—in particular, with Pythagoras and Euclid. The Greeks' sheer fascination with numbers and geometrical shapes, and their determination to construct logical proofs of their discoveries, set them apart from all earlier schools of mathematical thought. This questing spirit died out with the more pragmatic Romans, and Christian Europe had little more interest in pure math until the Renaissance. Then the introduction of Arabic numerals, and of the Greek mathematical discoveries kept alive by Arabic scholars, set off a new interest in math. Descartes learned how to map equations on a plane, and Newton and Leibniz independently created what Berlinksi considers one of the two key ideas of Western science: the calculus. Further progress involved moving from the simple counting numbers every child knows: Complex numbers, involving the square roots of negatives, were understood by Leonhard Euler; group theory was jotted down by the young French genius Galois the night before he died in a senseless duel; Lobachevsky and Riemann showed that there were consistent alternatives to Euclid's common-sense geometry; and Cantor opened the doors to infinity, before which all previous mathematicians had halted in fear of their sanity. The 20th century contributed Gödel’s proof that no self-contained logical system can be both complete and consistent, as well as the algorithm, a tool that ranks with the calculus for sheer power. Despite a sometimes condescending tone, Berlinski spins his narrative clearly, colorfully and with surprising thoroughness in such a brief treatment.
Novices may be overwhelmed, but for the mathematically inclined, this is a real treat.Pub Date: Sept. 13, 2005
ISBN: 0-679-64234-X
Page Count: 224
Publisher: Modern Library
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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