An unhurried evaluation of the importance of companionship and friendship at any age.
Three lonely older women from Brooklyn form an unlikely friendship and tackle difficult life moments together.
The book opens as 60-year-old Gertie Sundersen chokes on a plum. Corinna Hale happens to be standing nearby and rushes to help, but due to a rare genetic condition, she is too small to effectively perform the Heimlich on someone of Gertie’s stature. Corinna implores Maria Benedetti, another bystander, to help. After the women successfully rescue Gertie from impending doom, the trio meanders to a bench overlooking the Verrazzano Bridge. As they sit and take in the magnificent view, they begin to share secrets with each other: Gertie is a divorced former athlete, Maria is a lovelorn Italian widow, and Corinna, who's never been married, dabbles in recreational drugs. The one common denominator is that each woman is very much alone. They end up enjoying each other’s company so much that they begin meeting weekly at their bench at the bridge. Over time, the friendship they share becomes the most important aspect of each woman’s life. Unfortunately, after two decades of bonding, Maria decides to go digging into Gertie’s and Corinna’s pasts, unintentionally threatening the very relationships that have come to mean the most to her. The story joins the three friends when they get together and also follows the women through various aspects of their individual lives. The story moves along rather drowsily, with long stretches between significant events and disproportionate focus on moments that do not advance the narrative. The strength of the novel comes in quiet moments when each of the main characters is able to engage in personal reflection about the life she has lived and what she hopes to do with her remaining time. The Verrazzano Bridge is also a central fixture of the story, one that essentially becomes its own character as the tale unfolds. Although the narrative veers off track at a few points and would have benefitted from the fleshing out of intriguing subplots, the insightful commentary on growing older should be sufficient to keep some readers engrossed.
An unhurried evaluation of the importance of companionship and friendship at any age.Pub Date: Oct. 12, 2021
ISBN: 978-1-5420-2722-9
Page Count: 241
Publisher: Lake Union Publishing
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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