A fictional imagining of William Shakespeare’s lost years, complete with espionage, barbed wit, and an unexpected relationship with Christopher Marlowe.
Novelist and playwright Blixt turns his attention to an extravagant and bawdy tale of the future Bard of Avon’s young misadventures before taking to quill and ink. The story begins with a teacher by the name of William Falstaff—actually Shakespeare, under an assumed name—who finds himself aiding and abetting the small-town antics of an alluring stranger named Kit, who’s none other than Christopher Marlowe, and their escapades grow to encompass foiling a plot against the life and throne of Queen Elizabeth. Drawing upon meticulously executed and seamlessly laid out historical research, Blixt gives shape to the Babington Plot of 1586, complete with all the expected real-life figures and a few of the author’s own creation. Surrounded by secrecy, betrayal, and political intrigue, the duo maintains a sense of levity and rakish delight in their undertakings, further buoyed by the budding romantic relationship that the author insinuates between them. Blixt deepens this latter plotline perhaps too soon, and he seems to lose its thread among the many convoluted turnings of the main story—sacrificing a closer character and relationship study for the sake of suspense and thrills. Will and Kit together traverse reputedly unsavory aspects of London society, finding in them much more humanity and grace than they expected; they navigate, also, the acuity of the group of 16th-century playwrights and writers called the Wits, of which Kit is a member along with John Lyly, Robert Greene, George Peele, and others. Breaking up all the insult-hurling, cipher-breaking, and law-evading are impassioned and eloquent discussions of the English canon, the future of the theater, and other intriguing questions. Overall, it makes for a delightful tour of British literary history, and Shakespeare lovers will delight in this imaginative and immersive work.
An intricate tour de force that conjures a new vision of the Bard’s early days.