Intricate plotting, well-staged scenes and colorful descriptions enhance head-spinning but lively entertainment.
A debut historical novel peopled by Dante and other Italian Renaissance figures, along with reimagined Montagues and Capulets.
In September 1314, Padua is at war with Verona, which is flourishing under the rule of wily Francesco “Cangrande” della Scala. Although Cangrande is technically the overlord of several cities including Padua, the latter seeks to regain control of Vicenza, now governed by Cangrande’s brother-in-law and thus allied with Verona. To achieve their aims, the Paduan lord Giacomo “Il Grande” da Carrara and his nephew Marsilio join forces with Count Vinciguerra of San Bonifacio, a nobleman banished from Verona and enemy of Cangrande’s family. As the Carraras and the Count attack a Veronese suburb, Cangrande hosts a wedding party for his nephew and welcomes exiled Florentine poet Dante Alaghieri [sic] and his two sons. Elder son Pietro, the novel’s de facto protagonist, gets swept up in Cangrande’s subsequent routing of Padua. Warming to the excitement of battle, as well as the companionship of young aristocrat Romeo Mariotto Montecchio and newly titled Antonio “Antony” Capecelatro, Pietro saves Cangrande’s life and captures Marsilio. Pietro is knighted for his bravery, but he also sustains an injury and observes tensions brewing between his friends over Marsilio’s cousin Gianozza. Betrothed to Antony but enamored of Mariotto, Gianozza reignites the feud between the Montecchi and the Capelletti. (Shakespeare anglicized both families’ names for Romeo and Juliet.) After Mariotto and Gianozza elope, a duel between unexpected principals erupts and Pietro must depart Verona, leaving his newly arrived sister Antonia in charge of their father as he pens Purgatorio. Pietro has been enlisted to find the man who repeatedly attempts to abduct little Cesco, Cangrande’s illegitimate son. Since Cesco is believed to be the fabled savior of Italy, much depends on Pietro when the kidnapper succeeds at last, but the machinations of court may be harder to stomach than anything conceived by adversaries.
Intricate plotting, well-staged scenes and colorful descriptions enhance head-spinning but lively entertainment.Pub Date: July 1, 2007
ISBN: 0-312-36144-0
Page Count: 608
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
BOOK REVIEW
BOOK REVIEW
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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