by David Bowles ‧ RELEASE DATE: Sept. 4, 2018
A valuable, too-brief look at the borderlands.
Explore the life of a border kid in Bowles’ spirited verse novel.
For the 12-year-old Mexican-American narrator that everyone calls Güero, the borderlands (that “strip of frontier, / home of hardy plants”) means more than home. On Saturdays, he crosses the border into Mexico with his dad and chats with the locals. He goes marketing in the boisterous pulga with Mom and listens to his abuela Mimi’s scary folktales. Seventh grade soon begins, and Güero reunites with los Bobbys (or, as his sister Teresa calls them, “los Derds—Diverse Nerds”) for some reading, mischief, and girls (a new interest). His English teacher even gets Güero interested in poetry! In this slim verse novel, Bowles splendidly translates border life via loosely connected vignettes in an eclectic mix of poetic forms. Güero’s voice brims with humor, wit, and bits of slang, and a diverse cast of characters offers hints of other cultures. The author, however, does inject some complex themes and topics for rich discussion, touching on immigration, prejudice, and even the narrator’s nickname, “güero,” a term used to refer to light-skinned men and boys. Güero occasionally faces flak from a few schoolmates on account of his pale, freckled skin and copper hair, resulting in a revealing exchange with his dad: “M’ijo, pale folks catch all the breaks / here and in Mexico, too. Not your fault. / Not fair. Just the way it’s been for years.”
A valuable, too-brief look at the borderlands. (glossary) (Verse fiction. 10-14)Pub Date: Sept. 4, 2018
ISBN: 978-1-947627-06-2
Page Count: 160
Publisher: Cinco Puntos Press
Review Posted Online: July 31, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Katherine Marsh ‧ RELEASE DATE: Aug. 7, 2018
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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