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LET THE DOG DRIVE

Bowman's picaresque first novel, winner of the publisher's 1992 Elmer Holmes Bobst Award for Emerging Writers, follows the wildly unlikely love affair of the hitchhiking young son of a TV evangelist with a middle-aged Detroit housewife: playful if insubstantial fare in the Tom Robbins tradition. It's the mid-70's and 18-year-old Bud Salem—a weak-chinned boy whose obese mother leads prayer sessions on TV, whose dead father was a Hollywood private eye, and whose major talent is his ability to read hard-boiled detective novels while driving—takes his hitching thumb to the highway in an attempt to escape his horrific California past. He's soon picked up by another lost soul on the lam: Sylvia Cushman, the fast-talking, red-haired wife of an auto-specialist who regularly abandons her home in Detroit to go on unrestrained cross-country driving sprees. An Emily Dickinson freak who likes to dress in 40's evening wear and pitch oranges out her car window, Sylvia takes Bud on the ride of his sheltered life before abruptly dumping him outside of Toledo when it's time to go home. Forsaken but not helpless, Bud tracks Sylvia down in the suburbs of Detroit—only to find that her life is devoted all too unromantically to her massively allergic younger son, her master's thesis on Dickinson, and her dour, unresponsive husband, whose job description includes crashing test cars that have live dogs as passengers. Appalled, Bud longs to set Sylvia free—but after many a mind-boggling encounter with Iranian terrorism, religious conversion, suicide, and castration threats, it's writing, rather than living, that Bud learns to love. A garish, thrill-a-minute roller-coaster ride, always bold if not particularly inspiring.

Pub Date: Jan. 1, 1993

ISBN: 0-8147-1205-3

Page Count: 295

Publisher: New York Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1992

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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SEE ME

More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...

Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.

Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?

More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.

Pub Date: Oct. 13, 2015

ISBN: 978-1-4555-2061-9

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: Sept. 30, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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