Friendly teasing of the mandarins of the Information Age—infectiously funny, but seldom getting under the skin or drawing...
A lighthearted morphology that traces the evolution, mating rituals, and nervous system of a new group of social animals: the bourgeois bohemians (“Bobos”) who arose from the affluent educated class and reconciled the counterculture values of the 1960s to the entrepreneurial energies of the 1980s.
The collapse of the WASP Establishment, beginning in the 1950s, left a vacuum for a new hierarchy that would be more ethnically inclusive and meritocratic. The culture wars of the next few decades ended, according to journalist Brooks (the Weekly Standard), with a fusion of the mainstream organization man and the artistic rebel of unconventional morality. “The grand achievement of the educated elites in the 1990s was to create a way of living that lets you be an affluent success and at the same time a free spirit rebel.” Often sporting such unusual job titles as “creative paradox,” “corporate jester,” or “learning person,” Bobos work with monklike selfdiscipline because they view their jobs as intellectual and even spiritual. The world of the Bobos is tolerant, quiescent, intellectual but worldly, and instinctive. At the same time, Brooks (admitting his own membership in this caste) cheerfully underscores their many paradoxes and contradictions: for example, although they mistrust authority, Bobos haven’t hesitated to exercise control through campus speech codes and stricter zoning requirements. Like Tom Wolfe, Brooks can toss off nifty neologisms like “Latte Towns” (upscale liberal communities, often universitybased, that are fueled by gourmet coffee) and “StatusIncome Disequilibrium” (young intellectuals’ resentment that their income doesn’t match their professional achievements). Yet Brooks can neither achieve brilliant comic heights achieved by the observer of “radical chic” and “The Me Decade,” nor back his viewpoint with the spine of sharp reporting that informs even Wolfe’s fiction.
Friendly teasing of the mandarins of the Information Age—infectiously funny, but seldom getting under the skin or drawing blood. (First serial to Newsweek)Pub Date: May 5, 2000
ISBN: 0-684-85377-9
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2000
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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