Animated social history.
Reviving New York’s spirited music scene.
Browne, a senior writer at Rolling Stone and biographer of many music notables, including Crosby, Stills, Nash, and Young, draws on a wealth of interviews and archival sources to create a teeming history of Greenwich Village from 1957 to the 1980s. By the late 1950s, venues like the Village Vanguard, Cafe Bohemia, the Five Spot, and the Half Note already were famous for jazz, while folk singers drew crowds in Washington Square Park. Soon, Odetta and Dave Van Ronk, Tom Paxton, and Judy Collins, among many others, took the stage in coffeehouses and clubs, drawing throngs of fans. On a snowy night in 1961, a “funny, fumbling, somewhat chubby kid” who called himself Bob Dylan appeared at Cafe Wha?, one of many young upstarts hoping to make a name for himself in New York. “As disparate as the talent in the Village was—oceans of difference between Van Ronk’s gruffness, Dylan’s bristling wheeze, Collins’s purity, and Paxton’s smoothness, to cite a few—one thing bound them together,” Browne writes. “Theirs was music neither as stuffy nor as straitlaced as that of the balladeers who’d preceded them” on those same stages. Dylan was especially influential, with original compositions that inspired others to write their own pieces rather than rework traditional songs. Browne recounts the genesis of groups (Peter, Paul, and Mary; the Roche sisters); the agents who managed them; and the rivalries, love affairs, and musical hits that transformed their careers—in turn, transforming the Village. He recounts, as well, the “wall of segregation” that kept folk music largely white and the government surveillance that threatened the community. Steeped in music culture and lore, Browne offers a detailed, abundantly populated chronicle of a storied place and its creative, outspoken, driven inhabitants.
Animated social history.Pub Date: Sept. 17, 2024
ISBN: 9780306827631
Page Count: 400
Publisher: Hachette
Review Posted Online: July 18, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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