Next book

COOKING WITH DAVID BURKE OF THE PARK AVENUE CAFE

Burke, executive chef at New York City's chi-chi Park Avenue Cafe, and cookbook author Reingold have done a superb job of translating Burke's original vision into book form. But only someone who becomes immersed in this chef's way of doing things will have total success with these recipes. Tuna in Mustard-Seed Crust with Shrimp and Tomato Vinaigrette was delicious with its contrasting spicy and sweet flavors, but it took a long time to prepare, not counting the Tomato Fondue and Ginger Oil that need to be made ahead (most recipes include other preparations in the book, like stocks or purÇes). Though instructions are broken down carefully, ingredient lists are fairly costly and long. Not inaccurately, chapters are labeled ``Building a Dish with Fish and Shellfish,'' etc. There is no such thing as a simple entrÇe here, only complete dishes with all the trimmings, like Beer Batter Onion Rings and Carrot Chips. A chapter called ``Starters and Small Meals'' has a lot of intriguing options, like black olive pastry puffs that are filled with goat cheese, lobster, blue cheese, or smoked salmon fillings. These are a treat but certainly not to be whipped up at a moment's notice. An amusing introduction follows Burke's progress from restaurant to restaurant, including an early stint as a prep cook at New Jersey's Lakeside Manor, where it was his duty to fry everything in a breadcrumb crust. Outstanding food, inventive combinations, difficult preparations—but isn't that what we go to restaurants for? (50 line drawings and 8 pages color photos, not seen)

Pub Date: Jan. 19, 1995

ISBN: 0-394-58343-4

Page Count: 320

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1994

Categories:
Next book

I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview