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CHURCHILL

THE STATESMAN AS ARTIST

Well-illustrated miscellaneous Churchill-iana, some of it good.

Winston Churchill was a skilled painter, albeit an amateur, and his still enormous fan base will welcome this mixed bag of writings about his hobby.

There is nothing bland about his paintings. As British Academy president Cannadine (History/Princeton Univ.; Victorious Century: The United Kingdom, 1800-1906, 2018, etc.) writes, “like his speeches, they were often bright, warm, vivid, highly colored and illuminated creations, full of arresting contrasts between the light and the dark, the sunshine and the shadows.” The editor begins with a fine 50-page history of Churchill’s fascination with painting—not taken up until he was 40—and then assembles his writing and speeches on the subject before concluding with a few essays by others, including Thomas Bodkin and John Rothenstein. The quality varies from delightful to inconsequential. The latter group includes several 1930s newspaper reviews of annual Royal Academy Exhibitions in which he chats about paintings by artists mostly unknown to even knowledgeable readers. Illustrations of these works would help, but they are not included in the text. A dozen short speeches, mostly to audiences of artists, are solid enough, filled with elements such as wit, scholarship, worldly knowledge, and colorful imagery and insights. Although an amateur painter, he was a professional writer, as demonstrated by a superb essay on the pleasures of painting. Despite an excess of charisma and self-regard, Churchill loved his paintings without implying that they were works of genius, and he always deferred to professionals, sometimes grabbing his palette to correct a defect on the spot. Returning the favor, some critics and artists agree that he took art seriously and showed modest talents. “While he never claimed to be a great artist,” writes Cannadine, “painting…furnished an essential element of his latter-day public persona as a veritable Renaissance man of exceptionally varied accomplishments.”

Well-illustrated miscellaneous Churchill-iana, some of it good.

Pub Date: Nov. 6, 2018

ISBN: 978-1-4729-4521-1

Page Count: 208

Publisher: Bloomsbury Continuum

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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