In his newest ponderous, superficially mystical fantasy, Clement-Davies links the “betrayal” of Guinevere and Lancelot to the corruption of the Christian church in Albion, as well as the general rise in lawlessness brought on by Richard the Lion-Hearted’s crusade and subsequent imprisonment. Raised by devoted parents, young Rhodri grows up with enough love in his heart to survive a climactic attempted seduction by Homeira, a transplanted Persian enchantress. This after many long sessions gazing into the titular magical pond, which is a sort of Wiccan History Channel where he not only learns that he’s a descendant of that star-crossed Arthurian couple, but follows the adventures of his father, who has gone off to fight with Richard’s army in the Holy Land, then later lose his heart (literally) to the aforesaid enchantress. Chucking in a malicious rival who skulks about overhearing every damaging conversation, a wise old hermit connected to a certain merlin (get it?), a cameo by Excalibur and stereotypical Jews and Gypsies, the author eventually winds his tale to a happy close in which Arthur’s Sword of Peace cleaves Homeira’s stony heart on Christmas Day, just as news of Richard’s return arrives. No, it’s not a send-up. Would that it were. (Fantasy. 11-13)
Pub Date: Oct. 1, 2005
ISBN: 0-8109-5758-2
Page Count: 384
Publisher: Amulet/Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
BOOK REVIEW
BOOK REVIEW
From England’s Children’s Laureate, a searing WWI-era tale of a close extended family repeatedly struck by adversity and injustice. On vigil in the trenches, 17-year-old Thomas Peaceful looks back at a childhood marked by guilt over his father’s death, anger at the shabby treatment his strong-minded mother receives from the local squire and others—and deep devotion to her, to his brain-damaged brother Big Joe, and especially to his other older brother Charlie, whom he has followed into the army by lying about his age. Weaving telling incidents together, Morpurgo surrounds the Peacefuls with mean-spirited people at home, and devastating wartime experiences on the front, ultimately setting readers up for a final travesty following Charlie’s refusal of an order to abandon his badly wounded brother. Themes and small-town class issues here may find some resonance on this side of the pond, but the particular cultural and historical context will distance the story from American readers—particularly as the pace is deliberate, and the author’s hints about where it’s all heading are too rare and subtle to create much suspense. (Fiction. 11-13, adult)
Pub Date: Oct. 1, 2004
ISBN: 0-439-63648-5
Page Count: 208
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
Lowry returns to the metaphorical future world of her Newbery-winning The Giver (1993) to explore the notion of foul reality disguised as fair. Born with a twisted leg, Kira faces a bleak future after her mother dies suddenly, leaving her without protection. Despite her gift for weaving and embroidery, the village women, led by cruel, scarred Vandara, will certainly drive the lame child into the forest, where the “beasts” killed her father, or so she’s been told. Instead, the Council of Guardians intervenes. In Kira’s village, the ambient sounds of voices raised in anger and children being slapped away as nuisances quiets once a year when the Singer, with his intricately carved staff and elaborately embroidered robe, recites the tale of humanity’s multiple rises and falls. The Guardians ask Kira to repair worn historical scenes on the Singer’s robe and promise her the panels that have been left undecorated. Comfortably housed with two other young orphans—Thomas, a brilliant wood-carver working on the Singer’s staff, and tiny Jo, who sings with an angel’s voice—Kira gradually realizes that their apparent freedom is illusory, that their creative gifts are being harnessed to the Guardians’ agenda. And she begins to wonder about the deaths of her parents and those of her companions—especially after the seemingly hale old woman who is teaching her to dye expires the day after telling her there really are no beasts in the woods. The true nature of her society becomes horribly clear when the Singer appears for his annual performance with chained, bloody ankles, followed by Kira’s long-lost father, who, it turns out, was blinded and left for dead by a Guardian. Next to the vividly rendered supporting cast, the gentle, kindhearted Kira seems rather colorless, though by electing at the end to pit her artistic gift against the status quo instead of fleeing, she does display some inner stuff. Readers will find plenty of material for thought and discussion here, plus a touch of magic and a tantalizing hint (stay sharp, or you’ll miss it) about the previous book’s famously ambiguous ending. A top writer, in top form. (author’s note) (Fiction. 11-13)
Pub Date: Sept. 1, 2000
ISBN: 0-618-05581-9
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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