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THE BILLY RUFFIAN

THE BELLEROPHON AND THE DOWNFALL OF NAPOLEON, THE BIOGRAPHY OF A SHIP OF THE LINE, 1782-1836

Solid and well-researched stuff, and a pleasure for fans of Patrick O’Brian, C.S. Forester, and other chroniclers of the...

A satisfying tale of a mighty ship, and of a half-century under the mast in some of Europe’s fiercest wars.

HMS Bellerophon, writes English maritime historian Cordingly (Women Sailors and Sailors’ Women, 2001, etc.), came into existence in 1782 with only the grudging consent of the Admiralty, which foresaw little use for a big, 74-gun vessel at the time. Soon enough, though, the Bellerophon—whose crew, not trained in the gentlemanly study of Greek mythology, called her the “Billy Ruffian” or “Belly Rough One” or variants thereof—was chasing around the high seas after French privateers, then Napoleon’s fleet, facing down said blighters in encounters such as the Battle of the Glorious First of June (1794), the Battle of the Nile (1798), and, most famous of all, the Battle of Trafalgar (1805). She took her blows and lost plenty of hands, but fewer so than her French foes; Cordingly describes one engagement in which the French commander lost both his legs, but “got himself strapped into a chair and was heard to say that a French admiral ought to die on his own quarterdeck”—just before being cut in two by a cannonball. (The incident, Cordingly adds, inspired the once widely recited poem that opens “The boy stood on the burning deck.”) By good fortune, the Bellerophon received intelligence that Napoleon was planning to flee France after the Battle of Waterloo (1815) and kept after him until the emperor surrendered; the ship escorted him to Plymouth, where curious onlookers rowed out to gawk at the captive, but was judged incapable of making the long voyage to St. Helena, where Nappy lived out his days in exile. Alas, the Bellerophon lived out her own last days as a prison ship, an inglorious end to a much-vaunted vessel of the line.

Solid and well-researched stuff, and a pleasure for fans of Patrick O’Brian, C.S. Forester, and other chroniclers of the fighting sail.

Pub Date: Oct. 15, 2003

ISBN: 1-58234-193-1

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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