Packed with information, memorable anecdotes and surprising statistics, all presented with assurance and enthusiasm.
A virtual encyclopedia of language, so broad in scope that its subtitle can only hint at its contents.
British linguist Crystal, editor of The Cambridge Encyclopedia of Language and author of numerous other works on language, is writing here for the interested layman as well as the language maven. He touches on just about every aspect of language: the physiology behind the formation of speech sounds; how we learn to speak, read and write; how we choose what to say; how the brain handles language; how language tells who we are and where we’re from; how languages evolve. His approach is always to explain “how,” every chapter starting with that word. After beginning with spoken and written language, with a brief look at computer-mediated communication, he moves on to sign language; the structure of language; dialects; the various families of languages; and multilingualism. Following this order is not necessary, however, for Crystal advises that each short chapter is self-contained and the sequencing is up to the reader. While not quite a reference book, its index enables it to function as one, as do the illustrations, e.g., the diagrams of the human throat, ear and brain; the charts of Egyptian hieroglyphs and Sumerian pictograms in the section on writing systems; the depiction of British and American finger spelling in the section on sign language; the Indo-European language tree that demonstrates language relationships. Other language professionals may quibble with the brevity of his treatment of specific topics and argue with some of his opinions about the descriptive-vs.-prescriptive approach to the study of language; for the general reader, however, it is a user-friendly introduction to the many hitherto-unthought-of aspects of language.
Packed with information, memorable anecdotes and surprising statistics, all presented with assurance and enthusiasm.Pub Date: Nov. 2, 2006
ISBN: 1-58567-848-1
Page Count: 512
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
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BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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