An engrossing story about a clash of cultures and the extremities of faith.
A deeply religious and pious family of Latter-day Saints finds their world upended when a corrupt real estate company targets their land.
Duchovny is best known for his idiosyncratic roles in The X-Files and Californication, and he has a wildly unpredictable voice as a writer. Here he offers a dramatic parable involving trespasses against others and the dire consequences that follow. The patriarch of the family is Bronson Powers, who, two decades earlier, was an over-the-hill stuntman with a growing opioid addiction. His fortune changes when a relative dies, leaving him a huge but desolate property in the desert near Joshua Tree—with one caveat: Bronson must convert to the Church of Jesus Christ of Latter-day Saints. Now, in the present, Powers is deeply devout, with two wives, Mary and Yalulah, 10 children, and a few members of the clan already in the ground. The family is completely cut off from civilization, living primarily off the land. The triggering conflict comes when 27-year-old Maya Abbadessa, an ambitious executive with a deeply corrupt investment firm, stumbles across the property and realizes it’s worth millions. To nudge Bronson into selling, the firm recruits Child Protective Services to force the family to send the older children to public school. It’s a troublesome but interesting journey for Deuce, Hyrum, and Pearl. Deuce becomes an ace student, Pearl vacillates between drug-fueled rebellion and a burgeoning interest in theater, and Hyrum furiously fights everybody and anybody who messes with him or his siblings. It’s a lot to take in: Bronson not only feels invaded, but his struggle with his faith and his relationships with his wives and children are unsettling. Maya grapples with her conscience while the kids find themselves strangers in a strange land. It’s a heady mix of philosophy, faith, family drama, and violence, but Duchovny’s characteristically nimble prose not only connects the various narratives, but exposes the complicated humanity of his multifarious cast.
An engrossing story about a clash of cultures and the extremities of faith.Pub Date: Feb. 2, 2021
ISBN: 978-0-3742-7774-1
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK TO SCREEN
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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