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THE MIDNIGHT WATCH

Dyer rekindles the suspense and outrage of the Titanic inquiry.

As the Titanic slipped into its icy grave, the SS Californian slept just miles away. So why didn’t the British ship come to her aid?

From the muddy streets and dark taverns of Boston to the frigid, murky waters of the North Atlantic, Dyer’s debut novel turns the kaleidoscope, retelling the tale of the unsinkable ship through a new lens. Playing lead detective is veteran journalist John Steadman, who smells trouble when the Californian arrives in Boston Harbor without any rescued bodies and without any desire to speak to the press. The mystery encompasses five sailors: Cyril Evans, the wireless man, tried to warn the Titanic of treacherous ice fields, but he was shut down by the other ship's own wireless operator. Charlie Groves, the third officer, watched a ship in the distance suddenly go dark. James Gibson, a young apprentice, saw something that looked like Morse code flashing in the night sky. Herbert Stone, the second officer, had the midnight watch, and he saw rockets fired from a ship in the distance that night. Yet Capt. Lord gave no order to respond. The next morning, Evans discovers that the magnetic detector for the wireless equipment has wound down, delaying the arrival of news that the Titanic has sunk. Alternating chapters between Steadman’s detective work and the officers’ conflicting stories darkens the suspicions. Much of the tension centers on the fraying relationship between Stone and Lord. Obsessed with Melville’s Moby-Dick, Stone longs to play a faithful Starbuck to a noble Capt. Lord’s Ahab. Yet as Lord repeatedly dismisses Stone’s interpretation of events, Stone begins to wonder if the moral compass is skewed, indeed. As Steadman peels back the layers, will he find dishonor, conspiracy, and subterfuge or perhaps simply muddled memories?

Dyer rekindles the suspense and outrage of the Titanic inquiry.

Pub Date: April 5, 2016

ISBN: 978-1-250-08093-6

Page Count: 336

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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