An intricate, mesmerizing portrayal of the KGB-CIA spy culture.
A thoroughly researched excavation of an astoundingly important (and sadly sacrificed) spy for the CIA during the low point of the 1970s.
The winner of the Pulitzer Prize for his previous book, The Dead Hand: The Untold Story of the Cold War Arms Race and Its Dangerous Legacy (2009), Washington Post contributing editor Hoffman has strong credentials to tell the unheralded story of Adolf Tolkachev (1927-1986), a radar engineer who offered invaluable information on the state of arms technology in the Soviet Union until he was snagged by the KGB in 1985 and executed soon after. The CIA was scrambling to make a connection in the Soviet Union after the loss of the extremely productive spy Oleg Penkovsky for clandestine acquisition of technology for the West in the 1960s, though the agency was hampered by the “long shadow” cast by ultraparanoid chief of Moscow counterintelligence James Angleton, who believed the KGB was employing a “vast ‘master plan’ of deception,” and thus he trusted no one. Once he left in 1975, a younger generation of more enterprising officers trained in Berlin and other Eastern Bloc cities—e.g., Burton Gerber, who advocated for rigorous sifting of genuine sources from phony ones. Consequently, when a Russian engineer at Moscow’s Scientific Research Institute for Radio Engineering repeatedly approached American diplomats with his declared access to the development of a “look-down, shoot-down” radar system, they finally paid attention. Given the code name CKSPHERE, Tolkachev was motivated to photograph reams of priceless documents out of deep resentment of the “impassable, hypocritical demagoguery” of the Soviet state. Inspired by the famous defector Viktor Belenko and dissident physicist Andrei Sakharov, Tolkachev also wanted money—the “six figures” that Belenko reportedly got, as well as rock albums for his teenage son, all of which would push him to take too many risks. Hoffman ably navigates the many strands of this complex espionage story.
An intricate, mesmerizing portrayal of the KGB-CIA spy culture.Pub Date: July 7, 2015
ISBN: 978-0-385-53760-5
Page Count: 336
Publisher: Doubleday
Review Posted Online: March 27, 2015
Kirkus Reviews Issue: April 15, 2015
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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