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IN THE SEA

This mix of clever poems, handsome art and well-chosen typography, despite a few minor flaws, will function equally well for...

This third pairing of Elliott’s reductive poems and Meade’s bold woodcut-and-watercolor illustrations dives deep to explore sea creatures, from tiny shrimp to the mighty blue whale.

Elliott’s poems are short and pithy, often combining elegant metaphor and child-friendly diction.  “Five fingers, / like a hand, / the starfish shines / in a sky of sand.” He doesn’t shy from big words that expand children’s imaginations and vocabularies: An octopus is “an eight-armed apparition.” Humorous touches pleasantly conjure Douglas Florian’s poetry.  The puffer fish is “A trickster. / A clown. / A magician. / A buffoon. / One minute / she’s a fish; / the next, / she’s a balloon.” Meade’s pictures combine appropriately watery washes with black-inked woodcuts. She conjures the “before” and “after” capabilities of said puffer fish, and her Moray eel undulates fearsomely. Not every spread is completely successful. “The Clown Fish” riffs on inter-species symbiosis, but Elliott stumbles with the possessive phrase “its enemies”—inviting confusion as to whether anemone stings its own enemies, or the clown fish’s. Meade’s shark, possibly a great white, prominently sports stylized throat grooves that more resemble several species of whale.

This mix of clever poems, handsome art and well-chosen typography, despite a few minor flaws, will function equally well for bedtime sharing and early-learning settings. (Picture book/poetry. 3-6)

Pub Date: Feb. 14, 2012

ISBN: 978-0-7636-4498-7

Page Count: 32

Publisher: Candlewick

Review Posted Online: Dec. 2, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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HEY, DUCK!

A sweet, tender and charming experience to read aloud or together.

A clueless duckling tries to make a new friend.

He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts.  When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.

A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)

Pub Date: Jan. 22, 2013

ISBN: 978-0-375-86990-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 13, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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DIGGER, DOZER, DUMPER

While there are many rhyming truck books out there, this stands out for being a collection of poems.

Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.

Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.

While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)

Pub Date: Aug. 27, 2013

ISBN: 978-0-7636-5078-0

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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