This one’s all about the puzzle (character detail, though significant, seems familiar and obligatory)—and what a tricky,...
A twisty, swiftly paced second legal thriller puts Ellis (Line of Vision, 2001, winner of an Edgar Allan Poe Award) into the ring with Scott Turow.
Jon Soliday, legal counsel to state Senator Grant Tully, discovers that Langdon Trotter, Tully’s opponent in the upcoming governor’s race, submitted an invalid petition. The irregularity will knock Trotter out of the contest—which, polls indicate, he leads. But Tully tells Soliday that going public with the information might backfire, making the underdog look petty. Instead, Tully suggests that Soliday inform lawyer Dale Garrison about the fake petition and let Garrison use the information to blackmail Trotter into throwing the race. Soliday hates the tactic, but not as much as he hates Trotter’s conservative politics. Just before he meets Garrison, however, it’s Soliday who receives an anonymous blackmail note. Hand over $250,000, it threatens, or “the secret that nobody knows” will go to “the senator.” Soliday sees Garrison, who likes Tully’s plan—but, after the meeting, someone murders Garrison. Since Soliday was alone in the lawyer’s office at the time, he’s suspect numero uno. His plot revving up, Ellis cuts back to 1979. Tully and Soliday, high-school buddies, party with drugs, booze, and a woman who comes on to Soliday. After she and Soliday have heavy sex, the woman is found dead. Did Soliday do it? Is this possible murder “the secret nobody knows”? Soliday claims he blacked out and doesn’t remember. Return to 2000, as emotionally coiled lawyer Bennett Carey fights for Soliday. Proceedings appear to move in Soliday’s favor, but then they turn in another direction. And another. Then another, as Ellis twists matters perhaps one time too many. Still, his case clearly shows that clues, like law and politics, can be turned to cast doubt or favor on anyone.
This one’s all about the puzzle (character detail, though significant, seems familiar and obligatory)—and what a tricky, surprising puzzle it is.Pub Date: March 1, 2003
ISBN: 0-399-14979-1
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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