THE ARKY TRILOGY

Epstein examines the effect of mental illness on the family unit in this trio of dramatic plays.

The plays follow middle-aged parents Micah and Tess and their adult children: the oldest, exasperated Ava; the middle one, comedian Beezie; and the youngest, the difficult Arky; Arky is a former golden child who has transformed into a combative drinker and drug-user in his 20s. The first play, Mahalo, follows the family’s attempts to deal with Arky after he’s diagnosed with schizo-affective disorder. In Desperados, Tess pressures Micah to put the battered family home on the market, which unleashes a flood of memories of their many years there. In the first scene of the concluding Arky, the family deals with the fallout of Arky leaping out of a moving car on the highway for no apparent reason, leading his parents to wonder if they wouldn’t all be better off if Arky were dead. But Arky doesn’t die: the play leaps forward in time 10 years, and then another 10, sketching out the peculiar life of this troubled man to see where he finally ends up. The plays have postmodern flourishes, with stark staging involving ramps and platforms and precise lighting directions. Characters frequently break the fourth wall, launching into songs or stand-up routines to comment on the action. The format helps to capture the absurdity of mental illness, both for the sufferer and those around him. When Micah tells Tess, nonjudgmentally, that he’d bet she was an alcoholic, Tess responds, “You would? Who cares? We left the planet years ago. We’re out there—just out there in orbit, visiting our boy in Crazyland.” According to the author’s preface, these pieces have never been produced—the reader will be anxious to one day see one or all of these plays staged in a theater. Until then, these pages provide a suitable window into Arky’s Crazyland.

A suite of innovative and emotional dramas depicting an embattled family.