by David Ewing Duncan ‧ RELEASE DATE: July 8, 1998
Time flows inevitably, but the calendar is a human institution—and its history is a colorful mix of science, whim, and pure chance. Ancient peoples recognized that certain natural phenomena (the phases of the moon, the seasons of the year) recurred in a regular pattern. Our earliest record of a firm date comes from Egypt, where the annual rise and fall of the Nile gave a clear marker of the most crucial time of the year: spring planting. Other societies (Hebrews, Greeks, Romans) established years based on lunar cycles or arbitrary counting systems, some of which still survive. But the movements of earth, moon, and sun exist in no simple ratio to one another, and so all these early calendars needed frequent adjustment—with inevitable uncertainty and confusion. At last Julius Caesar scrapped the Roman calendar for one based instead on advanced Alexandrian science, with alternating months of 30 and 31 days, and a leap year to accommodate the odd fraction. His successors almost immediately began tinkering with it, changing the names and the lengths of months; for a while, they even had trouble remembering when to insert leap years. Thirteen centuries after Caesar’s reforms, Roger Bacon, an inquisitive English friar, saw that the calendar was still not accurate, and informed the pope of the fact. The Church had downplayed exact measurement of time (why bother when the Second Coming is expected at any moment?) but the fact that Easter was now two weeks distant from the correct date proved a sufficient spur to reform. Two centuries later, the Church accepted Bacon’s findings and instituted a new calendar, essentially the one we use today. Veteran science writer and NPR commentator Duncan (Residents: The Perils and Pleasures of Educating Young Doctors, 1996) provides vivid portraits of the various figures who played roles in this process and of their times in which they lived. A fascinating cross-section of history. (Author tour)
Pub Date: July 8, 1998
ISBN: 0-380-97528-9
Page Count: 240
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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