by David Ezra Stein ; illustrated by David Ezra Stein ‧ RELEASE DATE: March 27, 2018
Sweet as, well, honey, if a bit disingenuous.
A young bear wakes from hibernation with just one thought in mind: honey.
He’s hungry—it’s been months since he’s had any—and his surroundings conspire to remind him of honey: the warm, golden light of the sun; the clear, flowing water of a nearby stream; the delicious scent of a blossoming fruit tree. He’s not yet 2, and with the persistence of a toddler he returns over and over to the hollow tree where a bee colony lives only to find that it’s “too soon for honey.” Framed, energetic watercolors show him making do, finding nourishment in grasses, pine cones, and berries as the spring turns to summer. But he keeps returning to the hive only to find that it’s still “too soon” and even earning himself a sting on the snoot. “ ‘Ouch!’ (Busy bees don’t like to be bothered.)” Stein’s figures are gestural, loose, simple lines delineating his protagonist, whose round head and simplified body will foster an easy relationship with young readers. Eventually the bear loses himself in the delights of summer before a buzz reminds him and he is finally able to enjoy the “warm, golden, sweet, clear, slowly flowing, spicy, aromatic, sparkling with sunlight—‘Honey!’ ” Stein appropriately sidesteps the all-too-frequent mistake of depicting the hive as an external, hanging globe—but he also elides the near-total destruction a real bear would likely wreak upon the tree in pursuit of the honey.
Sweet as, well, honey, if a bit disingenuous. (Picture book. 3-5)Pub Date: March 27, 2018
ISBN: 978-1-5247-3786-3
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Feb. 7, 2023
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
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SEEN & HEARD
by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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