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THE BEST AMERICAN ESSAYS 2007

Reliable and yet still surprising—the best of the best.

The 2007 edition of the now-venerable series.

With characteristic humor and self-abasement, guest editor Wallace is an excellent guide to this year’s goodie bag of magazine-length nonfiction, noting up front that most series readers jump around in a nonlinear fashion. Although he promises a sharper political edge to this year’s selections—and no celebrity profiles—only a few fall into that category. Phillip Robertson’s “In the Mosque of the Imam Ali,” a breathless account of the author’s attempt to survive in an Iraq hurtling into Year Zero ultra-violence, ranks with Michael Herr’s exemplary Vietnam War reportage. Mark Danner’s “Iraq: The War of the Imagination” is an excellent summation of the stunning mix of incompetence and hubris that led to the current war. There is also “An Orgy of Power,” George Gessert’s passionate screed against the brutalization of the American mindset in the post-9/11 era, and Garret Keizer’s controversial “Loaded,” in which he breaks the domestic liberal code of silence on guns and political action: “Give me some people who are not so evolved that they have forgotten what it is to stand firm under fire…Give me an accountant who can still throw a rock.” Even among the lighter pieces, there’s a darkness scurrying around the edges, like in Richard Rodriguez’s “Disappointment,” an illuminating essay on the state’s illusory dreamlands, or Malcolm Gladwell’s sublime New Yorker piece on Cesar “The Dog Whisperer” Millan, in which tales of simple obedience training carry a cutting psychoanalytic edge. Remarkably, this year’s collection contains no outright duds, though a few pieces maunder a bit (e.g., Mark Greif’s foggy dissertation on the commercialized eroticization of youth, “Afternoon of the Sex Children”). Among all these impressive essays, though, the best is Daniel Orozco’s extraordinary “Shakers,” which merges an earthquake’s progress with a series of snapshot takes on American travelers and loneliness (“The middle of nowhere is always somewhere for somebody”).

Reliable and yet still surprising—the best of the best.

Pub Date: Oct. 10, 2007

ISBN: 978-0-618-70926-7

Page Count: 336

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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