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HELP IS ON THE WAY

FROM PLACES YOU DON’T KNOW ABOUT TODAY...

A sincere but uneven work for those weathering a crisis.

In this memoir/self-help book, a songwriter seeks to console and inspire readers.

In 1990, Friedman wrote a song called “Help Is on the Way,” performed by Nancy LaMott, about remaining hopeful even in times of difficulty. It would eventually become one of the anthems of the AIDS crisis. With this book, the author hopes to replicate that feat, offering a mix of stories, affirmations, and inspirational quotes to buoy those in need of a lift. Some of the wide-ranging tales come from Friedman’s personal life: his family history, his childhood, and his long career on Broadway and as a fixture of New York City’s cabaret scene. There was the time his father borrowed money from relatives to buy his own paint factory. “Talk about Help Is on the Way,” the author jokes, “almost everyone he asked contributed. Even his mother-in-law, who was living on a small, fixed income, reached into her ‘secret stash’ and gave him $10,000.” Or the time Friedman realized his attempts to force his singing voice to be a certain way was keeping him from discovering his voice’s natural tendencies. Only in being himself was he finally able to effectively sing. The author’s prose is conversational and unhurried, and his stories have an appealing, homilylike didacticism to them (attributable, perhaps, to his partner’s career as a nondenominational minister). Here, Friedman provides an explanation of humility: “What this means is that when you have a problem, you hand it over to someone or something that knows better than you how to resolve it. For example, when I have a broken toilet, I humbly call the plumber, because I know that the plumber knows how to fix it.” While many of the tales and quotes are pleasantly uplifting, the volume leans so hard into the eponymous song that it starts to become a distraction. The author mentions it frequently; the full lyrics appear twice in the work; and each chapter takes its title from a line in the song. Friedman also includes lyrics from some of his other songs in several of the chapter-ending quotation sections. There’s a recycled quality to all of this that suggests a lack of original thought. Encouraging anecdotes aside, it’s difficult to imagine the book finding a wide audience.

A sincere but uneven work for those weathering a crisis.

Pub Date: May 1, 2021

ISBN: 978-1736241820

Page Count: 237

Publisher: Library Tales Publishing

Review Posted Online: Nov. 12, 2021

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CALL ME ANNE

A sweet final word from an actor who leaves a legacy of compassion and kindness.

The late actor offers a gentle guide for living with more purpose, love, and joy.

Mixing poetry, prescriptive challenges, and elements of memoir, Heche (1969-2022) delivers a narrative that is more encouraging workbook than life story. The author wants to share what she has discovered over the course of a life filled with abuse, advocacy, and uncanny turning points. Her greatest discovery? Love. “Open yourself up to love and transform kindness from a feeling you extend to those around you to actions that you perform for them,” she writes. “Only by caring can we open ourselves up to the universe, and only by opening up to the universe can we fully experience all the wonders that it holds, the greatest of which is love.” Throughout the occasionally overwrought text, Heche is heavy on the concept of care. She wants us to experience joy as she does, and she provides a road map for how to get there. Instead of slinking away from Hollywood and the ridicule that she endured there, Heche found the good and hung on, with Alec Baldwin and Harrison Ford starring as particularly shining knights in her story. Some readers may dismiss this material as vapid Hollywood stuff, but Heche’s perspective is an empathetic blend of Buddhism (minimize suffering), dialectical behavioral therapy (tolerating distress), Christianity (do unto others), and pre-Socratic philosophy (sufficient reason). “You’re not out to change the whole world, but to increase the levels of love and kindness in the world, drop by drop,” she writes. “Over time, these actions wear away the coldness, hate, and indifference around us as surely as water slowly wearing away stone.” Readers grieving her loss will take solace knowing that she lived her love-filled life on her own terms. Heche’s business and podcast partner, Heather Duffy, writes the epilogue, closing the book on a life well lived.

A sweet final word from an actor who leaves a legacy of compassion and kindness.

Pub Date: Jan. 24, 2023

ISBN: 9781627783316

Page Count: 176

Publisher: Viva Editions

Review Posted Online: Feb. 6, 2023

Kirkus Reviews Issue: March 1, 2023

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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